Great Book of Fairy Patterns: The Ultimate Design Sourcebook for Artists and Craftspeople
by Lora S. Irish
The history, mythology, and composition of angels, cherubs, fairies, pixies, and sprites are detailed in this handbook of fairy patterns. More than 72 fairy patterns for all mediums are featured, including dragonfly, sugar plum, and woodland fairies. The physical features of fairies and fairy backgrounds are examined in depth, including instructions for face and body painting that apply to all fairy re-creations. Comprehensive descriptions of different types of fairies accompanied by their folk histories provide a useful context for all fairy enthusiasts.
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Monday, October 6, 2008
Saturday, October 4, 2008
Gangs And Their Tattoos: Identifying Gangbangers On The Street And In Prison
Tattoo Books : Gangs And Their Tattoos: Identifying Gangbangers On The Street And In Prison
by Bill Valentine
In this book, Bill Valentine, author of Gang Intelligence Manual, shares the latest intelligence on the predominant street and prison gangs and other disruptive groups, with particular emphasis on their identifying tattoos
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Supplementing the text are scores of detailed illustrations by Correctional Officer Robert Schober that replicate some of the most common tattoos worn by members of each of the groups discussed. This groundbreaking work makes a substantial amount of previously classified information available to the general public for the first time. In addition to presenting the latest intel on white, black, Hispanic and Asian gangs, it also includes new information on groups such as the White Afrikaner Resistance Movement and the Russian Mafia, which add to the mounting challenge faced by those laboring to hold the line against the menace posed by gangs, hate groups and organized crime.
by Bill Valentine
In this book, Bill Valentine, author of Gang Intelligence Manual, shares the latest intelligence on the predominant street and prison gangs and other disruptive groups, with particular emphasis on their identifying tattoos
View Products Details
Supplementing the text are scores of detailed illustrations by Correctional Officer Robert Schober that replicate some of the most common tattoos worn by members of each of the groups discussed. This groundbreaking work makes a substantial amount of previously classified information available to the general public for the first time. In addition to presenting the latest intel on white, black, Hispanic and Asian gangs, it also includes new information on groups such as the White Afrikaner Resistance Movement and the Russian Mafia, which add to the mounting challenge faced by those laboring to hold the line against the menace posed by gangs, hate groups and organized crime.
Friday, October 3, 2008
Tatto For Girl
Friday, September 26, 2008
Marines ban larger tattoos
Leathernecks upset over body art ruling
Chris Park, Associated Press
Cpl. John Sommerfeldt displays tattoos across his back and arms while discussing color options at a tattoo parlor in Oceanside, Calif.
By Thomas Watkins
The Associated Press
OCEANSIDE, Calif. -- Five tattooed skulls stretch from Marine Cpl. Jeremy Slaton's right elbow to his wrist, spelling out the word "Death." He planned to add a tattoo spelling "Life" on his left arm, but that's on hold because of a Marine policy taking effect today.
The Marines are banning any new, extra-large tattoos below the elbow or the knee, saying such body art is harmful to the Corps' spit-and-polish image.
Slaton and other grunts are not pleased. "I guess I'll get the other half later," grumbled the 24-year-old leatherneck from Eden Prairie, Minn. "It's kind of messed up."
For many Marines, getting a tattoo is a rite of passage. They commonly get their forearms inscribed to remember fallen comrades, combat tours or loved ones, and often ask for exotic designs that incorporate the Marine motto, Semper Fi, or "Always faithful."
Dozens of Marines from Camp Pendleton, the West Coast's biggest Marine base, made last-minute trips to tattoo parlors in nearby Oceanside before the ban kicked in.
"This is something I love to do," said Cpl. David Nadrchal, 20, of Pomona, who made an appointment to get an Iraqi flag and his deployment dates etched onto his lower leg. "The fact I can't put something on my body that I want -- it's a big thing to tell me I can't do that."
Cpl. Nadrchal said he is unsure whether he will re-enlist: "There's all these little things. They are slowly chipping away at us."
Marine Corps Commandant Gen. James T. Conway announced the policy change last week. "Some Marines have taken the liberty of tattooing themselves to a point that is contrary to our professional demeanor and the high standards America has come to expect from us," he said. "I believe tattoos of an excessive nature do not represent our traditional values."
The ban is aimed primarily at "sleeve" tattoos, the large and often elaborate designs on the biceps and forearms of many Marines. Similar designs on the lower legs will be forbidden as well. So will very large tattoos on the upper arm, if they are visible when a Marine wears his workout T-shirt. Small, individual tattoos will still be allowed on the arms and legs. (The Marines already ban them on the hands.)
Marines already tattooed are exempt from the ban but cannot add to their designs; anyone caught with fresh ink in the wrong places could be barred from re-enlistment or face disciplinary action. Getting a prohibited tattoo could constitute a violation of a lawful order, punishable by as much as two years in prison and a dishonorable discharge.
Unit commanders must photograph and document sleeve tattoos to ensure that Marines do not add to their ink.
The Marines and the other branches of the military already ban tattoos that could be offensive or disruptive, such as images that are sexist, vulgar, gang-related or extremist.
The Army actually relaxed its tattoo restrictions last year. The Navy last year decreed that tattoos visible while in short-sleeve uniform cannot be larger than the wearer's hand.
The Air Force says tattoos should be covered if they are bigger than one-quarter the size of the exposed body part.
First published on April 1, 2007 at 12:00 am
Copyright 2007 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
lower back tattoo
Lower tattoo is a very faous tattoo designs for the women recently. Most of the women who inked with the lower back tattoos assume lower tattoo designs as a fashion trend for them. And additionally, they always highlisted that that lower back tattoo can even make them looked sexier and inpired beautiness from the eye of men.
Sunday, August 31, 2008
Tuesday, August 26, 2008
Monday, August 25, 2008
Tattoos of the Floating World: Ukiyo-E Motifs in Japanese Tattoo (Paperback)
Tattoos of the Floating World: Ukiyo-E Motifs in Japanese Tattoo (Paperback)
by Takahiro Kitamura (Author), Katie M. Kitamura (Author)
his unique book by tattoo artist Takahiro Kitamura (Horitaka, a pupil of Horiyoshi III) discusses the art of the Japanese tattoo in the context of Ukiyo-e, concentrating on the parallel histories of the woodblock print and the tattoo. Through high quality illustrations it shows that the Japanese tattoo is highly reliant on and linked to the woodblock print and that it deserves a position among the other art forms.
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A range of typical ukiyo-e motifs in the Japanese tattoo are discussed and illustrated by the original Japanese prints, and sketches, drawings and tattoos by tattoo master Horiyoshi III. The book ends with a special essay by Don Ed Hardy.
Most tattoo afficianados are aware that Japanese tattoos are steeped in history and culture. But Tattoos Of The Floating World: Ukiy-o Motifs In The Japanese tattoo explores this history and culture in a way never done before. Takahiro Kitamura's research and unique insight combine to present the reader with not only a history of the Japanese tattoo, but also with an understanding of how it came to be, how it continued to maintain its traditions through centuries of persecution and cultural metamorphosis, and how it both influenced and was influenced by the contemporary arts of early Japan.
The first half of this excellent work explores the early history of the Floating World (as pleasure districts were known as Japan's Edo period), focusing on the "triumvirate of arts": ukiyo-e (wood block prints), irezumi (tattoos), and kabuki theatre. Ukiyo-e and irezumi are so closely intertwined that tattoos of the day were referred to as horimono (carved object) in deference to the process of carving a wood block print. Kabuki was the theatre of the people and expressed not only the history and mythology of Japan, but the people's innermost desires as well. Kitamura's exploration of the ways in which these three arts intertwined demonstrates his love of the topic and inspires a similar affection in the reader.
The latter half of Tattoos Of The Floating World details many of the themes so strongly connected with Japanese Tattoo today. Sections devoted to such heroes as Fudo Myoo, Fujin and Raijin, Kumonryu Shishin, and Tennin give a basic understanding of their characters themselves and their endurance as tattoo motifs. Details are also provided on such traditional images as dragons, koi, shunga, falcons, the Kurikaraken, tigers and the phoenix.
Illustrated throughout with ukiyo-e, original sketches by Horiyoshi III, and photographs by Jai Tanju, this work is as beautiful as it is educational. The pairing of sketches next to their finished tattoos highlights the artistry involved in Japanese tattoo while the presentation of ukiyo-e prints alongside tattoos of the same characters and motifs demonstrates the cultural and historic similarities.
As a special bonus, Don Ed Hardy weighs in with an essay exploring his own discovery of Japanese tattoo. Ed Hardy is the foremost American authority on Japanese tattoo and was one of the first Westerners to write on the subject. This essay follows his discovery of Japanese tattoo and his adventures in crossing the borders (both physical and cultural) between Japanese and Western tattooing.
by Takahiro Kitamura (Author), Katie M. Kitamura (Author)
his unique book by tattoo artist Takahiro Kitamura (Horitaka, a pupil of Horiyoshi III) discusses the art of the Japanese tattoo in the context of Ukiyo-e, concentrating on the parallel histories of the woodblock print and the tattoo. Through high quality illustrations it shows that the Japanese tattoo is highly reliant on and linked to the woodblock print and that it deserves a position among the other art forms.
View Products Details
A range of typical ukiyo-e motifs in the Japanese tattoo are discussed and illustrated by the original Japanese prints, and sketches, drawings and tattoos by tattoo master Horiyoshi III. The book ends with a special essay by Don Ed Hardy.
Most tattoo afficianados are aware that Japanese tattoos are steeped in history and culture. But Tattoos Of The Floating World: Ukiy-o Motifs In The Japanese tattoo explores this history and culture in a way never done before. Takahiro Kitamura's research and unique insight combine to present the reader with not only a history of the Japanese tattoo, but also with an understanding of how it came to be, how it continued to maintain its traditions through centuries of persecution and cultural metamorphosis, and how it both influenced and was influenced by the contemporary arts of early Japan.
The first half of this excellent work explores the early history of the Floating World (as pleasure districts were known as Japan's Edo period), focusing on the "triumvirate of arts": ukiyo-e (wood block prints), irezumi (tattoos), and kabuki theatre. Ukiyo-e and irezumi are so closely intertwined that tattoos of the day were referred to as horimono (carved object) in deference to the process of carving a wood block print. Kabuki was the theatre of the people and expressed not only the history and mythology of Japan, but the people's innermost desires as well. Kitamura's exploration of the ways in which these three arts intertwined demonstrates his love of the topic and inspires a similar affection in the reader.
The latter half of Tattoos Of The Floating World details many of the themes so strongly connected with Japanese Tattoo today. Sections devoted to such heroes as Fudo Myoo, Fujin and Raijin, Kumonryu Shishin, and Tennin give a basic understanding of their characters themselves and their endurance as tattoo motifs. Details are also provided on such traditional images as dragons, koi, shunga, falcons, the Kurikaraken, tigers and the phoenix.
Illustrated throughout with ukiyo-e, original sketches by Horiyoshi III, and photographs by Jai Tanju, this work is as beautiful as it is educational. The pairing of sketches next to their finished tattoos highlights the artistry involved in Japanese tattoo while the presentation of ukiyo-e prints alongside tattoos of the same characters and motifs demonstrates the cultural and historic similarities.
As a special bonus, Don Ed Hardy weighs in with an essay exploring his own discovery of Japanese tattoo. Ed Hardy is the foremost American authority on Japanese tattoo and was one of the first Westerners to write on the subject. This essay follows his discovery of Japanese tattoo and his adventures in crossing the borders (both physical and cultural) between Japanese and Western tattooing.
tattoo removal Tips
Today, if you get tired of your tattoos or just want a fashion change, they can easily be removed due to newly developed techniques. Although many people try to remove their tattoos, none of the these removal procedures can guarantee complete success every time.
Perhaps tattoo art is as old as the human civilization. All cultures have their own traditional tattooing methods. Tattooing is done by injecting colored pigments into skin. Once tattoo pigments are injected in skin they usually become permanent. Tattoo removal is also an important part of tattooing art. For various reasons people want to get their tattoos removed and often search for proper tattoo removal methods. For centuries people have been following many traditional methods to get their tattoos removed.
Some troubles in Tattoo Removal may appear when:
a. The tattoo is too big covering a large area of your body.
b. You have had the tattoo on your skin for a long period of time.
c. Smudging is evident because the pigment was not distributed equally into the skin.
d. Tattoos in the area on or around your eyes can be particularly difficult to entirely remove, as the skin is very sensitive.
e. Your skin is very sensitive and has a longer healing rate than usual.
Ways To Remove Your Tattoo
Here, it is important to note that many cases of tattoo removal have resulted into scars, skin diseases and wounds. All this depends on several factors including size, location, individual's healing process or system, how the tattoo was applied and how long the tattoo had been on the skin. Here is a look on various processes and methods of tattoo removal. Today there are many tattoo removal methods available. Methods chosen by the physician depends upon many factors. The method that the physician chooses will depend upon the size of the tattoo and its location as well as the length of time it has been on the skin.
Excision
This tattoo removal method is very suitable for the small ones as the entire tattoo can be removed without problem. The process consists from a local anesthetic which is administered to the area and the surgically removal of the tattooed skin. The wound is sutured and it's very possible not to leave any noticeable scarring. Anyway, it is very important to check out the likelihood of this procedure leaving the area free of visible disfigurement with your medical advisor.
Excision method is useful when the tattooed area is comparatively small. Excision method of tattoo removal helps in complete removal of tattoos. However in case of larger tattoos, excision method can be applied in a phased manner. In this method local anesthesia is applied to numb the area after which the tattoo is removed surgically. The edges are then brought together and stitched and there is minimal bleeding.
Dermabrasion
It is yet another method of tattoo removal. Dermabrasion involves a small portion of the tattooed part to be sprayed with a solution that freezes the area. After freezing the area an abrasive instrument causes the skin to peel. It is followed by dressing the area to stop any bleeding that may occur.
The area is sprayed with a freezing solution and then sanded with a rotary abrasive instrument. The skin then peels off and is covered with a surgical dressing, as some bleeding will probably occur.
This procedure is not painless so be prepared if you decide to go this route. It will take some time for the skin to grow back and during this time it will not be an attractive sight. Attention must be paid to the regular change of dressings; hygiene and any sign of inflammation should be reported immediately to your Doctor.
Laser
Laser surgery is considered as one of the best methods of tattoo removal. Usually a cream is applied to skin to make it numb. Pulses of light from the laser are directed onto the tattoo breaking up the tattoo pigments. After a few weeks body's scavenger cells remove the treated pigmented areas. It requires more than one treatment to remove all tattoos.
Probably the best solution for the removal of tattoos of any size and in any area of the body.
Short pulses of intense light from the laser are directed towards the tattoo, which breaks up the color pigments into smaller particles. These are then absorbed by the body’s immune system, which is normally takes about 3 weeks.
Some colored dyes react differently with black being the easiest to remove. The procedure is normally painless but a light local anesthetic may be administered if the tattoo is in a sensitive part of the body. You will possibly need more than one treatment to entirely remove the tattoo.
Make sure that the surgeon who removes your tattoo is a specialist in laser surgery.
After Effects
It cannot be over emphasized that the correct aftercare will help to lessen the possibility of residual scarring. The treated area and its immediate surroundings should be kept clean and an antibacterial lotion applied.
A scab may form and when that has fallen off the redness will fade as the normal healing process takes place. This may take some time depending on the individual. Infection is always a possibility with any surgical procedure so do not delay in reporting any signs to your doctor.
There may be some residual scarring due to the method of applying the tattoo.
Salabrasion
Salabrasion procedure of tattoo removal is centuries old. In Salabrasion a local anesthetic is used on and around the tattooed region after which a solution of ordinary tap water dipped in table salt is applied. Tattoos are removed by the application of an abrading instrument or a wooden block wrapped in gauze. After a while the area becomes deep red in color and then dressing is applied to stop any bleeding.
Costs
Removing it is much more expensive than having it applied. Therefore, when you choose it be very sure that it's what you want and that you can live with it, probably for the rest of your life.
Laser removal treatment is a very expensive procedure and will not generally be covered by your medical insurance company as it is considered to be cosmetic application and is not health threatening.
Perhaps tattoo art is as old as the human civilization. All cultures have their own traditional tattooing methods. Tattooing is done by injecting colored pigments into skin. Once tattoo pigments are injected in skin they usually become permanent. Tattoo removal is also an important part of tattooing art. For various reasons people want to get their tattoos removed and often search for proper tattoo removal methods. For centuries people have been following many traditional methods to get their tattoos removed.
Some troubles in Tattoo Removal may appear when:
a. The tattoo is too big covering a large area of your body.
b. You have had the tattoo on your skin for a long period of time.
c. Smudging is evident because the pigment was not distributed equally into the skin.
d. Tattoos in the area on or around your eyes can be particularly difficult to entirely remove, as the skin is very sensitive.
e. Your skin is very sensitive and has a longer healing rate than usual.
Ways To Remove Your Tattoo
Here, it is important to note that many cases of tattoo removal have resulted into scars, skin diseases and wounds. All this depends on several factors including size, location, individual's healing process or system, how the tattoo was applied and how long the tattoo had been on the skin. Here is a look on various processes and methods of tattoo removal. Today there are many tattoo removal methods available. Methods chosen by the physician depends upon many factors. The method that the physician chooses will depend upon the size of the tattoo and its location as well as the length of time it has been on the skin.
Excision
This tattoo removal method is very suitable for the small ones as the entire tattoo can be removed without problem. The process consists from a local anesthetic which is administered to the area and the surgically removal of the tattooed skin. The wound is sutured and it's very possible not to leave any noticeable scarring. Anyway, it is very important to check out the likelihood of this procedure leaving the area free of visible disfigurement with your medical advisor.
Excision method is useful when the tattooed area is comparatively small. Excision method of tattoo removal helps in complete removal of tattoos. However in case of larger tattoos, excision method can be applied in a phased manner. In this method local anesthesia is applied to numb the area after which the tattoo is removed surgically. The edges are then brought together and stitched and there is minimal bleeding.
Dermabrasion
It is yet another method of tattoo removal. Dermabrasion involves a small portion of the tattooed part to be sprayed with a solution that freezes the area. After freezing the area an abrasive instrument causes the skin to peel. It is followed by dressing the area to stop any bleeding that may occur.
The area is sprayed with a freezing solution and then sanded with a rotary abrasive instrument. The skin then peels off and is covered with a surgical dressing, as some bleeding will probably occur.
This procedure is not painless so be prepared if you decide to go this route. It will take some time for the skin to grow back and during this time it will not be an attractive sight. Attention must be paid to the regular change of dressings; hygiene and any sign of inflammation should be reported immediately to your Doctor.
Laser
Laser surgery is considered as one of the best methods of tattoo removal. Usually a cream is applied to skin to make it numb. Pulses of light from the laser are directed onto the tattoo breaking up the tattoo pigments. After a few weeks body's scavenger cells remove the treated pigmented areas. It requires more than one treatment to remove all tattoos.
Probably the best solution for the removal of tattoos of any size and in any area of the body.
Short pulses of intense light from the laser are directed towards the tattoo, which breaks up the color pigments into smaller particles. These are then absorbed by the body’s immune system, which is normally takes about 3 weeks.
Some colored dyes react differently with black being the easiest to remove. The procedure is normally painless but a light local anesthetic may be administered if the tattoo is in a sensitive part of the body. You will possibly need more than one treatment to entirely remove the tattoo.
Make sure that the surgeon who removes your tattoo is a specialist in laser surgery.
After Effects
It cannot be over emphasized that the correct aftercare will help to lessen the possibility of residual scarring. The treated area and its immediate surroundings should be kept clean and an antibacterial lotion applied.
A scab may form and when that has fallen off the redness will fade as the normal healing process takes place. This may take some time depending on the individual. Infection is always a possibility with any surgical procedure so do not delay in reporting any signs to your doctor.
There may be some residual scarring due to the method of applying the tattoo.
Salabrasion
Salabrasion procedure of tattoo removal is centuries old. In Salabrasion a local anesthetic is used on and around the tattooed region after which a solution of ordinary tap water dipped in table salt is applied. Tattoos are removed by the application of an abrading instrument or a wooden block wrapped in gauze. After a while the area becomes deep red in color and then dressing is applied to stop any bleeding.
Costs
Removing it is much more expensive than having it applied. Therefore, when you choose it be very sure that it's what you want and that you can live with it, probably for the rest of your life.
Laser removal treatment is a very expensive procedure and will not generally be covered by your medical insurance company as it is considered to be cosmetic application and is not health threatening.
Monday, August 4, 2008
Return of the Tribal: A Celebration of Body Adornment (Paperback)
Return of the Tribal: A Celebration of Body Adornment (Paperback)
by Rufus C. Camphausen (Author)
The Return of the Tribal attempts to look at all types of body adornment from tribal to urban, from piercing to body painting, from scarification to tattoos, and from genital mutilation to structural modifications of the ears, legs & neck. And it does so with a cornucopia of full-color photos presented alongside a very readable text. This may well be the best book of its kind currently available.
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"First tattoos, then piercings and now--metal mohawks? Modern primitives are taking body modification to the extremes with scalp implants."
(Newsweek )
"By juxtaposing photos of 'modern urban tribals' against images of indigenous people, Camphausen effectively places this oh-so '90s practice firmly within a historical and global context. The results are fascinating."
(Publishers Weekly )
"This book brings dignity and respect to the contemporary practice of body adornment in all its forms. By alternating stunning images from tribal and urban cultures, Camphausen makes his point convincingly.
(Magical Blend, David Merritt )
"A veritable travelogue through the geography of human imagination. Camphausen proves convincingly that today's body modification trend is more like a revival than a fad."
(Curio )
by Rufus C. Camphausen (Author)
The Return of the Tribal attempts to look at all types of body adornment from tribal to urban, from piercing to body painting, from scarification to tattoos, and from genital mutilation to structural modifications of the ears, legs & neck. And it does so with a cornucopia of full-color photos presented alongside a very readable text. This may well be the best book of its kind currently available.
View Products Details
"First tattoos, then piercings and now--metal mohawks? Modern primitives are taking body modification to the extremes with scalp implants."
(Newsweek )
"By juxtaposing photos of 'modern urban tribals' against images of indigenous people, Camphausen effectively places this oh-so '90s practice firmly within a historical and global context. The results are fascinating."
(Publishers Weekly )
"This book brings dignity and respect to the contemporary practice of body adornment in all its forms. By alternating stunning images from tribal and urban cultures, Camphausen makes his point convincingly.
(Magical Blend, David Merritt )
"A veritable travelogue through the geography of human imagination. Camphausen proves convincingly that today's body modification trend is more like a revival than a fad."
(Curio )
Ancient Marks: The Sacred Origins of Tattoos and Body Marking (Paperback)
Ancient Marks: The Sacred Origins of Tattoos and Body Marking (Paperback)
by Chris Rainier (Author)
Tattooing is a reflection of the basic human desire to decorate the body, and tattoos have held many different meanings throughout history. The practice has existed since ancient Egypt, and in our contemporary society has become a popular way for people of all ages to express themselves. Tattoo is a fascinating journey through the colorful world of this corporeal art form, via hundreds of fascinating photographs documenting the highly complex ritual tattoos of various subcultures, as well as the fantastic designs of modern tattoo artists.
View Products Details
Seven-years of traveling the globe to document body art, Chris has assembled an extraordinary portfolio of living, breathing masterpieces. --This text refers to an out of print or unavailable edition of this title.
by Chris Rainier (Author)
Tattooing is a reflection of the basic human desire to decorate the body, and tattoos have held many different meanings throughout history. The practice has existed since ancient Egypt, and in our contemporary society has become a popular way for people of all ages to express themselves. Tattoo is a fascinating journey through the colorful world of this corporeal art form, via hundreds of fascinating photographs documenting the highly complex ritual tattoos of various subcultures, as well as the fantastic designs of modern tattoo artists.
View Products Details
Seven-years of traveling the globe to document body art, Chris has assembled an extraordinary portfolio of living, breathing masterpieces. --This text refers to an out of print or unavailable edition of this title.
Monday, July 21, 2008
Celtic Tattoo History
In recent years Celtic Tattoos have enjoyed a revival. We specialize in historical knotwork and Celtic ornamental style Tattooing . Our research on the subject has provided a wealth of new and exciting knots for applications as Tattoos . Anyone who desires a Historical
Celtic Tattoo, Mythological Celtic Tattoo or a pride in their heritage Celtic Tattoo will be pleased with our vast collection of custom Celtic art.
The Celts transmitted their culture orally, never writing down history or facts. This accounts for the extreme lack of knowledge about them prior to their contact with the classical civilizations of Greece and Rome. They were generally well educated, particularly on topics such as religion, philosophy, geography and astronomy. The Romans often employed Celtic tutors for their sons, many of these tutors were Druid priests. Religion was a force in Celtic culture. The Druids were their priestly caste. The Celts were extremely superstitious.
The history of the Celtic peoples goes back some thousands of years . At one time all of Europe was Celtic. England was ruled entirely by Celts . Eventually the Romans, Angles and Saxons came and pushed the Celts to the north and west. One of the great Celtic events of history was the Fifth-Century battle between King Arthur and his Celtic army against the dark pagan hordes in England ( as the Celts termed the non-Celtic peoples ).
The Celts considered King Arthurs loss to be the death of civilization. King Arthur himself remains an important figure in Celtic legend. The original historic story is now much embroidered with medieval knights and traditions.
The ancient Celtic Art was full of interlacing patterns, elaborate knotwork, spirals, animal forms and animal zoomorphics, and color. The early Celts displayed their art especially in metal: jewelry , weapons
Modern Celtic peoples have evolved symbols for themselves, and in the North American people of Celtic descent often wear these symbols to show that they are of Celtic descent. Forinstance, the most common Irish symbol is the three -leaved shamrock, although the Harp is often used as well. The harp has been the national instrument for all the Celtic people since the dawn of their history. The Scottish symbol is the Thistle, along with the wearing of tartans. The Welsh flag is a red dragon on a green and white background .
They consider the red dragon as their most Welsh symbol, but along with the dragon they recognize the leek and the daffodil.
Celtic knots are complete loops with no end or beginning. Celtic animal interlace is similar in construction but the cords terminate in feet, heads, tails ect. Pure knots should always be unending, unless the loose end of a strand is stylized into a zoomorphic element or a spiral.
Celtic Tattoo, Mythological Celtic Tattoo or a pride in their heritage Celtic Tattoo will be pleased with our vast collection of custom Celtic art.
The Celts transmitted their culture orally, never writing down history or facts. This accounts for the extreme lack of knowledge about them prior to their contact with the classical civilizations of Greece and Rome. They were generally well educated, particularly on topics such as religion, philosophy, geography and astronomy. The Romans often employed Celtic tutors for their sons, many of these tutors were Druid priests. Religion was a force in Celtic culture. The Druids were their priestly caste. The Celts were extremely superstitious.
The history of the Celtic peoples goes back some thousands of years . At one time all of Europe was Celtic. England was ruled entirely by Celts . Eventually the Romans, Angles and Saxons came and pushed the Celts to the north and west. One of the great Celtic events of history was the Fifth-Century battle between King Arthur and his Celtic army against the dark pagan hordes in England ( as the Celts termed the non-Celtic peoples ).
The Celts considered King Arthurs loss to be the death of civilization. King Arthur himself remains an important figure in Celtic legend. The original historic story is now much embroidered with medieval knights and traditions.
The ancient Celtic Art was full of interlacing patterns, elaborate knotwork, spirals, animal forms and animal zoomorphics, and color. The early Celts displayed their art especially in metal: jewelry , weapons
Modern Celtic peoples have evolved symbols for themselves, and in the North American people of Celtic descent often wear these symbols to show that they are of Celtic descent. Forinstance, the most common Irish symbol is the three -leaved shamrock, although the Harp is often used as well. The harp has been the national instrument for all the Celtic people since the dawn of their history. The Scottish symbol is the Thistle, along with the wearing of tartans. The Welsh flag is a red dragon on a green and white background .
They consider the red dragon as their most Welsh symbol, but along with the dragon they recognize the leek and the daffodil.
Celtic knots are complete loops with no end or beginning. Celtic animal interlace is similar in construction but the cords terminate in feet, heads, tails ect. Pure knots should always be unending, unless the loose end of a strand is stylized into a zoomorphic element or a spiral.
Buddhist Tattoo Image
This is Buddhist Tattoo Image, Buddhism is a religion and philosophy with between 230 and 500 million adherents worldwide, the vast majority living in Asia.
Buddhism is based on the teachings of Gautama Buddha who lived circa the fifth century BCE in ancient India, in parts of what is now Nepal, Uttar Pradesh and Bihar on the northeastern Indian subcontinent.
Saturday, June 28, 2008
Dragon Tattoo
What's the difference between them? Read the followings to learn the significance of each and see if you want a dragon tattoo of your own.
The dragon appears in many legends and stories, and there are people who choose to get a dragon tattoo to adorn their body for good. But special care must be taken, as the dragon has different significance in different cultures. The dragon in Eastern culture is regarded as a kind creature that helps and protects people, being the guardian of water and a symbol of life, good fortune and fertility. As opposed to this, the Western dragon is actually an icon of malice. He is known to destroy and steal from people and bring terror into the peaceful homes. There's also the fairy dragon that has also a negative connotation, as you know that the dragon always steals the gold and the princess. So, be careful when you choose the dragon as a tattoo. However, it is a cool tattoo to get, and if you want to brag with a bad boy look, the dragon tattoo is the thing you need.
The dragon tattoo can take many shapes and sizes. You can get the Eastern dragon, which has a mild look. The Western dragon has usually more representations, some spray flames out of their nose, some just look fierce, but each of these has a ferocious appearance. The dragon can also be a dragon-serpent, having wings, or some human body parts, it all depends on the representation of each design. Also, the size of the tattoo that you get is meaningful. A small dragon tattoo is cute, whereas a dragon on your entire back may have a powerful visual impact. However, a dragon tattoo is a great thing to have, and if you are thinking about getting one, check out the latest and the existent tattoo designs.
All in all, the dragon is a sign of power. Getting a dragon tattoo can mean many things, according to the type of dragon that is inked in your skin. If you choose to have it on your arm, you will expose it to the entire world. If you would rather have it in a more hidden place, the dragon may be your secret emblem. So, it's up to you. You're the one who decides what the world has to know about yourself.
Modern Primitives (Re/Search) (Paperback)
Tattoo Book : Modern Primitives (Re/Search) (Paperback)
An anthropological inquiry into a contemporary social enigma--the increasingly popular revival of ancient human decoration practices such as symbolic/deeply personal tattooing, multiple piercings, and scarification. "Primitive" actions which rupture conventional confines of behavior and aesthetics are objectively scrutinized. In context of the death of global frontiers, this volume charts the territory of the last remaining underdeveloped source of first-hand experience: the human body.
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Modern Primitives is the Bible of Body Modification, including tattoo, piercing, and scarification. An amazing 30-page interview with Fakir Musafar, as well as in-depth interviews with Ed Hardy, Lyle Tuttle, Leo Zulueta, Bill Salmon, Vyvyn Lazonga and other tattoo giants is featured. This book describes non-tribal people who felt and responded to strong "primitive" urges. A classic; this is the first book to chart out all the basic ways to creatively express one's individuality using the body as a canvas, especially emphasizing the need to find something rooted in one's own personal experiences and mythology. Inspiring and wide-ranging, Modern Primitives provides a vast anthropological context for implementing a truly unique body-decoration expression. An illuminating section of quotations rounds out this volume.
An anthropological inquiry into a contemporary social enigma--the increasingly popular revival of ancient human decoration practices such as symbolic/deeply personal tattooing, multiple piercings, and scarification. "Primitive" actions which rupture conventional confines of behavior and aesthetics are objectively scrutinized. In context of the death of global frontiers, this volume charts the territory of the last remaining underdeveloped source of first-hand experience: the human body.
View Products Details
Modern Primitives is the Bible of Body Modification, including tattoo, piercing, and scarification. An amazing 30-page interview with Fakir Musafar, as well as in-depth interviews with Ed Hardy, Lyle Tuttle, Leo Zulueta, Bill Salmon, Vyvyn Lazonga and other tattoo giants is featured. This book describes non-tribal people who felt and responded to strong "primitive" urges. A classic; this is the first book to chart out all the basic ways to creatively express one's individuality using the body as a canvas, especially emphasizing the need to find something rooted in one's own personal experiences and mythology. Inspiring and wide-ranging, Modern Primitives provides a vast anthropological context for implementing a truly unique body-decoration expression. An illuminating section of quotations rounds out this volume.
Pagan Fleshworks: The Alchemy of Body Modification (Paperback)
Tattoo Book : Pagan Fleshworks: The Alchemy of Body Modification (Paperback)
Many people today are interested in finding something more in today's hectic post-modern world. In this diverse and exceptionaly researched book, the author and photographer shows us one way in which some individuals find that elusive "deeper meaning": mody modification.
Operating on the premise that one's own body is yours and yours alone, and that the more profoundly affecting an expierience the better, the reader is taken on a step by step tour through this little known but very intriguing world.
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There are photos galore, many of them (almost all) in color. Some are truly awesome and unforgettable; this earns its place, rightfully so, as a work of art.
Overall, this book is immaculate and a perfect addition to the bookshelf of someone looking for some variety and searching for something new, exiting and different.
Many people today are interested in finding something more in today's hectic post-modern world. In this diverse and exceptionaly researched book, the author and photographer shows us one way in which some individuals find that elusive "deeper meaning": mody modification.
Operating on the premise that one's own body is yours and yours alone, and that the more profoundly affecting an expierience the better, the reader is taken on a step by step tour through this little known but very intriguing world.
View Products Details
There are photos galore, many of them (almost all) in color. Some are truly awesome and unforgettable; this earns its place, rightfully so, as a work of art.
Overall, this book is immaculate and a perfect addition to the bookshelf of someone looking for some variety and searching for something new, exiting and different.
Friday, June 20, 2008
Return of the Tribal: A Celebration of Body Adornment (Paperback)
Tattoo Book : Return of the Tribal: A Celebration of Body Adornment (Paperback)
The Return of the Tribal attempts to look at all types of body adornment from tribal to urban, from piercing to body painting, from scarification to tattoos, and from genital mutilation to structural modifications of the ears, legs & neck. And it does so with a cornucopia of full-color photos presented alongside a very readable text. This may well be the best book of its kind currently available.
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Review
"First tattoos, then piercings and now--metal mohawks? Modern primitives are taking body modification to the extremes with scalp implants."
(Newsweek )
"By juxtaposing photos of 'modern urban tribals' against images of indigenous people, Camphausen effectively places this oh-so '90s practice firmly within a historical and global context. The results are fascinating."
(Publishers Weekly )
"This book brings dignity and respect to the contemporary practice of body adornment in all its forms. By alternating stunning images from tribal and urban cultures, Camphausen makes his point convincingly.
(Magical Blend, David Merritt )
"A veritable travelogue through the geography of human imagination. Camphausen proves convincingly that today's body modification trend is more like a revival than a fad."
(Curio )
The Return of the Tribal attempts to look at all types of body adornment from tribal to urban, from piercing to body painting, from scarification to tattoos, and from genital mutilation to structural modifications of the ears, legs & neck. And it does so with a cornucopia of full-color photos presented alongside a very readable text. This may well be the best book of its kind currently available.
View Products Details
Review
"First tattoos, then piercings and now--metal mohawks? Modern primitives are taking body modification to the extremes with scalp implants."
(Newsweek )
"By juxtaposing photos of 'modern urban tribals' against images of indigenous people, Camphausen effectively places this oh-so '90s practice firmly within a historical and global context. The results are fascinating."
(Publishers Weekly )
"This book brings dignity and respect to the contemporary practice of body adornment in all its forms. By alternating stunning images from tribal and urban cultures, Camphausen makes his point convincingly.
(Magical Blend, David Merritt )
"A veritable travelogue through the geography of human imagination. Camphausen proves convincingly that today's body modification trend is more like a revival than a fad."
(Curio )
Spiritual Tattoo: A Cultural History of Tattooing, Piercing, Scarification, Branding, and Implants (Paperback)
Tattoo Book: Spiritual Tattoo: A Cultural History of Tattooing, Piercing, Scarification, Branding, and Implants (Paperback)
Say "body modifications" and most people think of tattoos and piercings. They associate these mainly with the urban primitives of the 1980s to today and with primitive tribes. In fact, as this fascinating book shows, body mods have been on the scene since ancient times, traceable as far back as 1.5 million years, and they also encompass sacrification, branding, and implants. Professor John Rush outlines the processes and procedures of these radical physical alterations, showing their function as rites of passage, group identifiers, and mechanisms of social control. He explores the use of pain for spiritual purposes, such as purging sin and guilt, and examines the phenomenon of accidental cuts and punctures as individual events with sometimes profound implications for group survival. Spiritual Tattoo finds a remarkable consistency in body modifications from prehistory to the present, suggesting the importance of the body as a sacred geography from both social and psychological points of view.
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"Tattooings are not only ornaments... they are not only emblems of nobility and symbols of rank in the social hierarchy; they are also messages fraught with spiritual and moral significance... not only to imprint a drawing onto the flesh but also to stamp onto the mind all the traditions and philosophy of the group."
- Claude Levi-Strauss
"And this tattooing has been the work of a departed prophet and seer of his island, who, by those hieroglyphic marks, had written out on his body a complete theory of the heavens and the Earth, and a mystical treatise on the art of attaining truth; so that Queequeg in his own proper person was a riddle to unfold; a wondrous work in one volume; but those mysteries not even himself could read, though his own live heart beat against them."
- Herman Melville
Say "body modifications" and most people think of tattoos and piercings. They associate these mainly with the urban primitives of the 1980s to today and with primitive tribes. In fact, as this fascinating book shows, body mods have been on the scene since ancient times, traceable as far back as 1.5 million years, and they also encompass sacrification, branding, and implants. Professor John Rush outlines the processes and procedures of these radical physical alterations, showing their function as rites of passage, group identifiers, and mechanisms of social control. He explores the use of pain for spiritual purposes, such as purging sin and guilt, and examines the phenomenon of accidental cuts and punctures as individual events with sometimes profound implications for group survival. Spiritual Tattoo finds a remarkable consistency in body modifications from prehistory to the present, suggesting the importance of the body as a sacred geography from both social and psychological points of view.
View Products Details
"Tattooings are not only ornaments... they are not only emblems of nobility and symbols of rank in the social hierarchy; they are also messages fraught with spiritual and moral significance... not only to imprint a drawing onto the flesh but also to stamp onto the mind all the traditions and philosophy of the group."
- Claude Levi-Strauss
"And this tattooing has been the work of a departed prophet and seer of his island, who, by those hieroglyphic marks, had written out on his body a complete theory of the heavens and the Earth, and a mystical treatise on the art of attaining truth; so that Queequeg in his own proper person was a riddle to unfold; a wondrous work in one volume; but those mysteries not even himself could read, though his own live heart beat against them."
- Herman Melville
Tuesday, May 13, 2008
The Tattoo History Source Book
by Steve Gilbert (Author)
Body piercing and tattooing have seen a resurgence in America in the last decade. Sometimes referred to as an aspect of the "new tribalism," body arts harkens to practices usually associated with so-called primitive societies. Medical illustrator, writer, and part-time tattoo artist Gilbert seeks to explore the historical depth and aesthetic variations of tattoos as permanent body decoration.
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The text consists mostly of excerpts from the works of anthropologists, explorers, physicians, artists, and others and dates from Greek and Roman times to the present. The organization can be confusing, but Gilbert provides contextual essays for individual chapters, which are arranged primarily geographically, with the deepest coverage on Oceania, Japan, and Europe/America. The illustrations, ranging from crude line drawings to full-color photos, are perhaps the most fascinating element in the book. Unlike some books on tattooing, the images do not emphasize the salacious. While the text is not academic in tone, Gilbert supports his research with an extensive reference citation list and bibliography. Capable of entertaining and enlightening both young enthusiasts and anthropologists, this is recommended for both public and academic libraries. Eugene C. Burt, Seattle
Copyright 2001 Reed Business Information, Inc.
Body piercing and tattooing have seen a resurgence in America in the last decade. Sometimes referred to as an aspect of the "new tribalism," body arts harkens to practices usually associated with so-called primitive societies. Medical illustrator, writer, and part-time tattoo artist Gilbert seeks to explore the historical depth and aesthetic variations of tattoos as permanent body decoration.
View Products Details
The text consists mostly of excerpts from the works of anthropologists, explorers, physicians, artists, and others and dates from Greek and Roman times to the present. The organization can be confusing, but Gilbert provides contextual essays for individual chapters, which are arranged primarily geographically, with the deepest coverage on Oceania, Japan, and Europe/America. The illustrations, ranging from crude line drawings to full-color photos, are perhaps the most fascinating element in the book. Unlike some books on tattooing, the images do not emphasize the salacious. While the text is not academic in tone, Gilbert supports his research with an extensive reference citation list and bibliography. Capable of entertaining and enlightening both young enthusiasts and anthropologists, this is recommended for both public and academic libraries. Eugene C. Burt, Seattle
Copyright 2001 Reed Business Information, Inc.
Wednesday, April 23, 2008
Maori Tattooing
Maori Tattooing
by H. G. Robley (Author)
This classic of ethnography describes Maori tattooing (moko), which communicates the bearer's genealogy, tribal affiliation, and spirituality. This definitive study relates how moko first became known to Europeans and discusses the distinctions between men and women's moko, patterns and designs, and moko in legend and song. Features 180 black-and-white illustrations.
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Paperback: 240 pages
Publisher: Dover Publications (December 29, 2003)
Language: English
by H. G. Robley (Author)
This classic of ethnography describes Maori tattooing (moko), which communicates the bearer's genealogy, tribal affiliation, and spirituality. This definitive study relates how moko first became known to Europeans and discusses the distinctions between men and women's moko, patterns and designs, and moko in legend and song. Features 180 black-and-white illustrations.
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Paperback: 240 pages
Publisher: Dover Publications (December 29, 2003)
Language: English
Sunday, April 6, 2008
Tribal Tattoo Designs from Indonesia
Tribal Tattoo Designs from Indonesia
by Maarten Hesselt Van Dinter (Author)
a. Paperback: 286 pages
b. Publisher: Mundurucu Publishers; Pap/Cdr Bl edition (November 15, 2007)
c. Language: English
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by Maarten Hesselt Van Dinter (Author)
a. Paperback: 286 pages
b. Publisher: Mundurucu Publishers; Pap/Cdr Bl edition (November 15, 2007)
c. Language: English
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Tattoo Traditions of Hawaii
Tattoo Traditions of Hawaii
by Tricia Allen (Author)
Anthropologist and tattooist Tricia Allen has harnessed centuries of knowledge about Hawaiian tattoos and has created this fascinating, comprehensive reference book that can be enjoyed by both tattoo enthusiasts and cultural scholars.
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Tattoo Traditions of Hawaii describes the evolution of Hawaiian tattooing as an art and science tracing it from its early roots in ancient Polynesia; presents motif, meaning, placement, tools and techniques along with personal observations and commentary in meticulous and graphic detail; discusses contemporary Hawaiian tattooing within the context of contact with the Western world; and includes drawings of designs and patterns for ideas and consideration.
by Tricia Allen (Author)
Anthropologist and tattooist Tricia Allen has harnessed centuries of knowledge about Hawaiian tattoos and has created this fascinating, comprehensive reference book that can be enjoyed by both tattoo enthusiasts and cultural scholars.
View Products Details
Tattoo Traditions of Hawaii describes the evolution of Hawaiian tattooing as an art and science tracing it from its early roots in ancient Polynesia; presents motif, meaning, placement, tools and techniques along with personal observations and commentary in meticulous and graphic detail; discusses contemporary Hawaiian tattooing within the context of contact with the Western world; and includes drawings of designs and patterns for ideas and consideration.
Monday, March 31, 2008
Tattoos from Paradise: Traditional Polynesian Patterns
Tattoos from Paradise: Traditional Polynesian Patterns
by Mark Blackburn (Author)
Traditional tattooing designs are depicted from the exotic Pacific Polynesian cultures of Easter Island, Hawaii, the Marquesas, New Zealand, Samoa, Tahiti and Tonga. The actual process and ceremonies involved in tattooing are described and illustrated with over 250 drawings and color illustrations of native people. Included are actual 19th century photographs as well as early exploration art, paintings, drawings, engravings, and artifacts all relating to tattooing.
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Mark Blackburn has been under the spell of the Polynesian Islands for twenty years, building one of the finest Polynesian art collections and libraries. He runs a successful import business in Lancaster, Pennsylvania, and has a second home and art gallery in Hilo, Hawaii.
by Mark Blackburn (Author)
Traditional tattooing designs are depicted from the exotic Pacific Polynesian cultures of Easter Island, Hawaii, the Marquesas, New Zealand, Samoa, Tahiti and Tonga. The actual process and ceremonies involved in tattooing are described and illustrated with over 250 drawings and color illustrations of native people. Included are actual 19th century photographs as well as early exploration art, paintings, drawings, engravings, and artifacts all relating to tattooing.
View Products Details
Mark Blackburn has been under the spell of the Polynesian Islands for twenty years, building one of the finest Polynesian art collections and libraries. He runs a successful import business in Lancaster, Pennsylvania, and has a second home and art gallery in Hilo, Hawaii.
Sunday, March 23, 2008
The World of Tattoo: An Illustrated History (Hardcover)
The World of Tattoo: An Illustrated History (Hardcover)
by Maarten Hesselt van Dinter (Author) "'Not one great country can be named, from the polar regions in the north to New Zealand in the south, in which the aborigines
Despite a growing fascination with tattooing among social scientists--and the popularity of tattoos themselves in general--the practice of tattooing has lacked a comprehensive historical record. Until very recently, there was no good context for writing a serious world history of tattooing. This new volume conveys the richness of the history of tattooing from antiquity to the present day.
Unlike most other tattoo books that describe one aspect this book conveys the overall picture. It takes you to each of the seven continents with descriptions of their tattoo history and tattoo practices. Thus the book provides the reader with a truly global view of tattooing. It adds new information and new examples and insights that give the reader a new perspective.
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By combining empirical history, powerful cultural analysis, and a highly readable style, the author adds an important step to the ongoing effort of writing a meaningful cultural history of tattooing. He does not draw new conclusions or present shocking new theories, but suggests and invites the reader to form his own opinions. This publication presents the reader with a vast amount of textual and visual information. From the well known examples from Tahiti to rarely seen Chinese tattoos, from the Ice Maiden to modern day Western tattoos--they are all there. Many of the approximately 400 color illustrations are unique images that have never been published before.
by Maarten Hesselt van Dinter (Author) "'Not one great country can be named, from the polar regions in the north to New Zealand in the south, in which the aborigines
Despite a growing fascination with tattooing among social scientists--and the popularity of tattoos themselves in general--the practice of tattooing has lacked a comprehensive historical record. Until very recently, there was no good context for writing a serious world history of tattooing. This new volume conveys the richness of the history of tattooing from antiquity to the present day.
Unlike most other tattoo books that describe one aspect this book conveys the overall picture. It takes you to each of the seven continents with descriptions of their tattoo history and tattoo practices. Thus the book provides the reader with a truly global view of tattooing. It adds new information and new examples and insights that give the reader a new perspective.
View Products Details
By combining empirical history, powerful cultural analysis, and a highly readable style, the author adds an important step to the ongoing effort of writing a meaningful cultural history of tattooing. He does not draw new conclusions or present shocking new theories, but suggests and invites the reader to form his own opinions. This publication presents the reader with a vast amount of textual and visual information. From the well known examples from Tahiti to rarely seen Chinese tattoos, from the Ice Maiden to modern day Western tattoos--they are all there. Many of the approximately 400 color illustrations are unique images that have never been published before.
Thursday, March 13, 2008
Tattooing Tips
a. Before visiting the tattoo studio make sure that the tattoo studio has biohazard containers for blood-stained objects, sharps containers for old needles, autoclaves and accessible facilities for washing the hands with hot water and soap.
b. Go for a knowledgeable, well-mannered and helpful tattoo artist.
c. A knowledgeable tattoo artist will not tattoo minors, mentally ill and also the drunken ones.
d. A professional tattoo artist ensures that the customer is satisfied with and sure about the design before applying the tattoo design.
e. He will be in a position to answer all your questions.
f. You must insist that the tattoo artist wash his or her hands with water and soap or a standard sanitizing agent, and wear latex gloves.
g. Before tattooing, make sure that the artist always opens new, sterile needle packages in front of you and always use new, sterile disposable instruments.
h. Always keep in mind to remind the artist to use fresh ink for each session.
i. The tattoo artist must provide clear tattoo aftercare instructions and products
j. To ascertain authenticity of the artist you can enquire about his/her association with professional organizations and groups.
b. Go for a knowledgeable, well-mannered and helpful tattoo artist.
c. A knowledgeable tattoo artist will not tattoo minors, mentally ill and also the drunken ones.
d. A professional tattoo artist ensures that the customer is satisfied with and sure about the design before applying the tattoo design.
e. He will be in a position to answer all your questions.
f. You must insist that the tattoo artist wash his or her hands with water and soap or a standard sanitizing agent, and wear latex gloves.
g. Before tattooing, make sure that the artist always opens new, sterile needle packages in front of you and always use new, sterile disposable instruments.
h. Always keep in mind to remind the artist to use fresh ink for each session.
i. The tattoo artist must provide clear tattoo aftercare instructions and products
j. To ascertain authenticity of the artist you can enquire about his/her association with professional organizations and groups.
Thursday, March 6, 2008
Pushing Ink: The Fine Art of Tattooing (Schiffer Book) (Paperback)
Pushing Ink: The Fine Art of Tattooing (Schiffer Book) (Paperback)
by Spider Webb (Author)
A classic reborn, here is a book that opened new territory in 1979, revealing the bodies of those who patronized underground artists. The bodies of these tattooed men and women stand in testament to an ancient art, long forbidden in the West. This is a celebration of tattoo art, the artists, and the bold canvases who dance across these pages with unabashed joy in their beautifully adorned flesh. It is the story of the fight to legalize and legitimize an art undeniably beautiful in design, bold in color, and stamped indelibly upon God's own earthly temple.
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About the Author
Spider Webb thrust tattooed bodies into the limelight and helped legitimize the art, when Pushing Ink first hit the streets in 1979. Webb has lectured internationally, and his paintings and photographs have been exhibited in galleries and museums, as well as on bodies, around the world. By day he operates a tattoo parlor at the Coney Island Museum, New York. By night, Webb fronts the outrageous Electric Crutch band and manufactures one-of-a-kind tattoo machines
by Spider Webb (Author)
A classic reborn, here is a book that opened new territory in 1979, revealing the bodies of those who patronized underground artists. The bodies of these tattooed men and women stand in testament to an ancient art, long forbidden in the West. This is a celebration of tattoo art, the artists, and the bold canvases who dance across these pages with unabashed joy in their beautifully adorned flesh. It is the story of the fight to legalize and legitimize an art undeniably beautiful in design, bold in color, and stamped indelibly upon God's own earthly temple.
View Products Details
About the Author
Spider Webb thrust tattooed bodies into the limelight and helped legitimize the art, when Pushing Ink first hit the streets in 1979. Webb has lectured internationally, and his paintings and photographs have been exhibited in galleries and museums, as well as on bodies, around the world. By day he operates a tattoo parlor at the Coney Island Museum, New York. By night, Webb fronts the outrageous Electric Crutch band and manufactures one-of-a-kind tattoo machines
Friday, February 29, 2008
Tattoo (Hardcover)
Tattoo (Hardcover)
by Dale Rio (Author), Eva Bianchini (Author
Tattooing is a reflection of the basic human desire to decorate the body, and tattoos have held many different meanings throughout history. The practice has existed since ancient Egypt, and in our contemporary society has become a popular way for people of all ages to express themselves. Tattoo is a fascinating journey through the colorful world of this corporeal art form, via hundreds of fascinating photographs documenting the highly complex ritual tattoos of various subcultures, as well as the fantastic designs of modern tattoo artists.
Full-color photographs and illustrations
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by Dale Rio (Author), Eva Bianchini (Author
Tattooing is a reflection of the basic human desire to decorate the body, and tattoos have held many different meanings throughout history. The practice has existed since ancient Egypt, and in our contemporary society has become a popular way for people of all ages to express themselves. Tattoo is a fascinating journey through the colorful world of this corporeal art form, via hundreds of fascinating photographs documenting the highly complex ritual tattoos of various subcultures, as well as the fantastic designs of modern tattoo artists.
Full-color photographs and illustrations
View Products Details
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